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The whiplash, double-pronged Chungking Express is one of the defining works of 1990s cinema and the film that made Wong Kar Wai an instant icon. The directorРІР‚в„ўs inaugural collaboration with both cinematographer Christopher Doyle, who lends the film its gorgeously gauzy, hallucinatory texture, and actor Tony Leung Chiu Wai, who appears briefly in a tantalizing teaser for a never-realized sequel, Days of Being Wild is an exhilarating first expression of WongРІР‚в„ўs trademark themes of time, longing, dislocation, and the restless search for human connection.

The initial entry in a loosely connected, ongoing cycle that includes In the Mood for Love and 2046, this ravishing existential reverie is a dreamlike drift through the Hong Kong of the 1960s in which a band of wayward twentysomethings-including a disaffected playboy (Leslie Cheung Kwok Wing) searching for his birth mother, a lovelorn woman (Maggie Cheung Man Yuk) hopelessly enamored with him, and a policeman (Andy Lau Tak Wah) caught in the middle of their turbulent relationship-pull together and push apart in a dance of frustrated desire.

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The breakthrough sophomore feature by Wong Kar Wai represents the first full flowering of his swooning signature style. Marrying the pulp pleasures of the gritty Hong Kong action drama with hints of the head-rush romanticism Wong would push to intoxicating heights throughout the 1990s, As Tears Go By was a box-office smash that heralded the arrival of one of contemporary cinemaРІР‚в„ўs most electrifying talents. Set amid Hong KongРІР‚в„ўs ruthless, neon-lit gangland underworld, this operatic saga of ambition, honor, and revenge stars Andy Lau Tak Wah as a small-time mob enforcer who finds himself torn between a burgeoning romance with his ailing cousin (Maggie Cheung Man Yuk, in the first of her iconic collaborations with the director) and his loyalty to his loose-cannon partner in crime (Jacky Cheung Hok Yau), whose reckless attempts to make a name for himself unleash a spiral of violence. Wong Kar WaiРІР‚в„ўs scintillating debut feature is a kinetic, hypercool crime thriller graced with flashes of the impressionistic, daydream visual style for which he would become renowned. Whether theyРІР‚в„ўre tragically romantic, soaked in blood, or quirkily comedic, the seven films collected here are an invitation into the unique and wistful world of a deeply influential artist.

Joined by such key collaborators as cinematographer CHRISTOPHER DOYLE (The Limits of Control) editor and production and costume designer WILLIAM CHANG SUK PING (Shadowboxer) and actors TONY LEUNG CHIU WAI (Lust, Caution) and MAGGIE CHEUNG MAN YUK (Irma Vep), Wong (or WKW, as he is often known) has written and directed films that have enraptured audiences and critics worldwide and inspired countless other filmmakers with their poetic moods and music, narrative and stylistic daring, and potent themes of alienation and memory. With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, WONG KAR WAI has established himself as one of the defining auteurs of contemporary cinema.